Archive for Product Review
Review and collaborate on your own time with Fuze Movie
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As we keep moving forward technologies come and go but one thing is certain: filmmakers need to collaborate. This is especially true in the post production process. I know this firsthand. On my last film I would send MOV file to my executive producer and call him up to go over the cut.
It was painstaking about this was we had to basically say go at the same time and try and be synced as we watched the cut of the film. He would say "stop, there should be more color here" and I would jot down his note (hopefully) at the same time code. Yes it worked but it was a bit of pain in the butt.
After scouring the web for new possibilities for collaboration and review I came across a new product that I've fallen in love with. Introducing Fuze Movie. So what is this innovative new product? Let's take a look. Read More→
The Foundry Does It Again! (Part One)
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Last month, I was introduced to the superb Keylight plug-in for Final Cut Pro (see And, The Academy Award® Goes To… An Instruction Manual!?! and Enter The Foundry: Visual Effects Software That Is Unbeatable!). After completing my examination of that excellent add-on, I began to study FurnaceCore, which is another superb plug-in for Final Cut Pro that was created by the Academy Award®-winning software-developer, The Foundry.* This plug-in provides tools for image restoration, correction, and stylization, all of which vastly improve picture-quality and reduce production-time. My platform is a 2005 Dual 2.7 GHz Macintosh PowerPC G5, with 8 GB of DDR SDRAM, controlled by OS X 10.4.11.
The Foundry Does It Again! (Part Two)
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If you do not have the time to read this entire review, then here are the vital statistics:
Product Name: FurnaceCore
Product Manufacturer: The Foundry
Product Type: motion-picture repair, improvement, and time-adjustment plug-in for Final Cut Pro
Price: 500 United States Of America Dollars
Is It Worth The Price? Definitely. It would still be worth the price if it cost 7,000 USD (which would be 1,000 USD per function).
Available From: www.thefoundry.co.uk
Rating: 5 Stars!
The Death of DOF Adapters
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- Image by mickiky via Flickr
Shallow Depth of Field
For the filmmaker, HD camcorders gave us the freedom to shoot without the expense of film and development cost. The drawback was the inability to achieve shallow depth of field. With a fixed lens HD camcorder, everything is in focus down to the smallest detail. In the late 90s, filmmakers using HD video, were forced to use tricks such as lighting in layers with the subject lit the brightest. Without these creative but limited solutions, the audience can become distracted by a pretty extra in background or billboard that is part of the set. The result: your scene loses its impact due to lack of control over the image.
The advent of the DOF or 35mm adapter gave us the ability to achieve a shallow depth of field giving you more artistic control of the image. For those who don't know, the device works like a telecine using the macro focus of the camcorder to capture the image on a ground glass screen. The glass is spun using a miniature motor. The shear weight of these devices and their components can be in excess of 20 pounds. This paved the way for an entire industry of camera support systems to redistribute the weight of the device, the lens, the follow focus and the HD monitor, which is critical to ensure clear, sharp focus. Read More→
Enter The Foundry: Visual Effects Software That Is Unbeatable!
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If you do not have the time to read this entire article, then here are the vital statistics:
Product Name: Keylight
Product Manufacturer: The Foundry
Product Type: matte-extraction and visual-effects compositing plug-in for After Effects, Autodesk, Avid DS, Combustion, Final Cut Pro, Fusion, Nuke, and Shake
Price: 250 United States Of America Dollars
Is It Worth The Price? Definitely. It would still be worth the price if it cost 1,000 USD.
Available From: www.thefoundry.co.uk
Rating: 5 Stars!
My 3 favorite aspects of Keylight: The instruction-manual is perfect! • The plug-in is extremely forgiving; cinema-industry-grade RGB values for rear-illuminated blue/green screens or cinema-industry-grade CMYK values for painted/curtained blue/green backdrops are not required in order to extract cinema-industry-grade mattes. • Once the plug-in is applied from the FCP “Effects” folder to the “Filters” tab of a video-clip, then all of the image-manipulation necessities are at hand; there is no need to search through the many other QuickTime folders or FCP folders in order to locate similar functions that do not work as well.
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Two Cameras at the Crossroads: 5D Mark II or 7D
Posted by: | CommentsIn September, I had an opportunity to do some shooting with the 5D for the first time as we had a demo unit in our office for a trade show. I took it for Labor Day weekend and instantly fell in love. I’ve been shooting video since 1990 and have always had some form of video camera in my arsenal mostly for short films. For larger projects I always rented gear.


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