Sign Up For The FREE FilmmakingCentral Newsletter!
Powered by MaxBlogPress  

Sign up for the FMC Newsletter!

PostRank Topblogs 2009 - #9 in Filmmaking

Archive for Product


 Powered by Max Banner Ads 

Read More→

What's your opinion on this?
  • Share/Bookmark
Comments (0)

FMC0005•FCCoverLast month, I was introduced to the superb Keylight plug-in for Final Cut Pro (see And, The Academy Award® Goes To… An Instruction Manual!?! and Enter The Foundry: Visual Effects Software That Is Unbeatable!). After completing my examination of that excellent add-on, I began to study FurnaceCore, which is another superb plug-in for Final Cut Pro that was created by the Academy Award®-winning software-developer, The Foundry.* This plug-in provides tools for image restoration, correction, and stylization, all of which vastly improve picture-quality and reduce production-time. My platform is a 2005 Dual 2.7 GHz Macintosh PowerPC G5, with 8 GB of DDR SDRAM, controlled by OS X 10.4.11.

Read More→

Does this help or do you have a problem with this?
  • Share/Bookmark
Comments (3)

FMC0005•FCCover

If you do not have the time to read this entire review, then here are the vital statistics:

Product Name: FurnaceCore
Product Manufacturer: The Foundry
Product Type: motion-picture repair, improvement, and time-adjustment plug-in for Final Cut Pro
Price: 500 United States Of America Dollars
Is It Worth The Price? Definitely. It would still be worth the price if it cost 7,000 USD (which would be 1,000 USD per function).
Available From: www.thefoundry.co.uk
Rating: 5 Stars!

Read More→

Let's talk more about this... can you do me a quick 30-second favor and leave a comment below?
  • Share/Bookmark
Comments (0)
Nov
25

The Death of DOF Adapters

Posted by: Clint Milby | Comments (2)
Canon Eos 5D Mark II
Image by mickiky via Flickr

Shallow Depth of Field

For the filmmaker, HD camcorders gave us the freedom to shoot without the expense of film and development cost.   The drawback was the inability to achieve shallow depth of field.  With a fixed lens HD camcorder,  everything is in focus down to the smallest detail.  In the late 90s, filmmakers using HD video, were forced to use tricks such as lighting in layers with the subject lit the brightest.  Without these creative but limited solutions, the audience can become distracted by a pretty extra in background or billboard that is part of the set.  The result:  your scene loses its impact due to lack of control over the image.

The advent of the DOF or 35mm adapter gave us the ability to achieve a shallow depth of field giving you more artistic control of the image.  For those who don't know, the device works like a telecine using the macro focus of the camcorder to capture the image on a ground glass screen.  The glass is spun using a miniature motor.  The shear weight of these devices and their components can be in excess of 20 pounds.  This paved the way for an entire industry of camera support systems to redistribute the weight of the device, the lens, the follow focus and the HD monitor, which is critical to ensure clear, sharp focus. Read More→

What about you? What are your thoughts on this subject?
  • Share/Bookmark

In September, I had an opportunity to do some shooting with the 5D for the first time as we had a demo unit in our office for a trade show.  I took it for Labor Day weekend and instantly fell in love.  I’ve been shooting video since 1990 and have always had some form of video camera in my arsenal mostly for short films.  For larger projects I always rented gear.

Read More→

Ideas anyone?
  • Share/Bookmark

 Powered by Max Banner Ads